In 1958, the same year as THE FEARMAKERS was another Cold War Thriller, albeit of the Disaster kind, and both featured the beautiful Marilee Earle: The first she's the leading lady opposite Dana Andrews, and in THE LOST MISSILE she's the pregnant wife of a secondary lead, extremely underused but still looking fantastic.
The third of four movies starring Dana Andrews and Jeanne Crain is the only where Crain plays the sort of "other woman" on the sidelines wherein Dana's MADISON AVENUE mover/shaker is building-up the career of Eleanor Parker. The scenes between Andrews and Crain, though, are the longest and last throughout the entire story.


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