FEARMAKERS CINEMA OF DANA ANDREWS

Dana Andrews, who was Elia Kazan's leading man in BOOMERANG decades earlier, shares a scene with Kazan's new lead Robert De Niro in THE LAST TYCOON.

Another film with Dana Andrews and Farley Granger, right after EDGE OF DOOM is the cold war/anti war for it's time, I WANT YOU, about young men being called to the Korean War, reluctantly.

Dana Andrews and Susan Hayward in MY FOOLISH HEART directed by Mark Robson, who worked for producer Val Lewton along with Jacques Tourneur, who directed the previous Andrews/Hayward collaboration, CANYON PASSAGE.

Kirk Douglas took no credit for executive producing the breezy romance SPRING REUNION starring two too-old-for-the-role grownups Betty Hutton and Dana Andrews... So then, a decade later, Dana would scold Kirk in IN HARM'S WAY — but without mentioning that high school reunion!

Though many are back-projected, here's an ELEPHANT WALK scene with Dana Andrews as Dick Carver (while Dana's real name is Carver Dana Andrews) with real fields and workers behind him: he's about to turn and bark orders, taking over for a wounded Peter Finch while wanting his wife, Elizabeth Taylor... who wouldn't?

Dana Andrews about to lose his dog Trouble (till he finds him later) on a gator hunt in SWAMP WATER with father Walter Huston by his side, and bullfrog-voiced Eugene Pallette rowing from behind.

Virginia Gilmore, credited before Dana Andrews in the World War II thriller BERLIN CORRESPONDENT, played his spurned girlfriend in SWAMP WATER the year before: ironically she's good here despite working for Nazis, and bad there as an All-American Girl.

Second entry of Doris Fesette, the blonde who Dana Andrews buys a drink for at the Filibuster Bar in MADISON AVENUE. 

Peter Whitney, the shady bartender from THE BIG HEAT, was also an eclectic Dana Andrews actor, playing a clumsy banker in CANYON PASSAGE and then a formidable guard in THE IRON CURTAIN, motioning for Dana to turn around... how demeaning!

As mentioned in the Cult Film Freak review , Dana Andrews's performance in WHILE THE CITY SLEEPS is breezy, on cruise-control, making his best scenes with lawmen Howard Duff since Dana, as a classy award winning newscaster, can partake in some of his most natural kind of roles: of the hard-boiled investigatory nature.

In both THE CROWDED SKY and before that, WHILE THE CITY SLEEPS, Rhonda Fleming plays a cheating wife, but not of Dana Andrews: In both, she and Dana never share a single scene, and yet they're first and second in the credits: And here she is in the latter, warming up to Dana's LAURA foe, Vincent Price.

The famous portrait from LAURA of Gene Tierney's title character that Dana Andrews initially thinks is "not bad" to Clifton Webb's snooty chagrin: particularly protesting the word "dame" for Laura, to whom he provided a personal Pygmalion transition.

Dana Andrews in THE CROWDED SKY: a poker game moment leading to a very quick fist fight and, with Dana's usual brooding glare, it's one of many flashbacks that takes up about half a film that juggles past melodrama with present time airline disaster.

Here to note the strange, screwy times we're living and dying in as Dana Andrews enters a home that's not so quaint while we're stuck in our own particular cages during a pandemic, on Easter, and the news media is our very own version of THE FEARMAKERS.

A lobby card for THE CROWDED SKY from a deleted scene showing what looks like the wedding party of Rhonda Fleming and Efrem Zimbalist Jr., which makes no sense since their marriage was supposed to be kept secret except for their friend Caesar (Ed Kemmer).

Dana Andrews questions Gene Tierney's title character in LAURA, before he realizes "dames are always pulling a switch on you."

By far the best lobby card from THE CROWDED SKY, showing John Kerr punching Dana Andrews, co-pilot socking pilot, isn't in the film since the moment is more close-up and at an angle, so this must have come from a still photographer as Dana recovers below. 

Another screen capture from the opening of CANYON PASSAGE showing Dana Andrews riding in soaking wet from the Northwestern rain into Oregon, where the movie's both filmed and takes place.

Our second capture from the Kino Lorber Blu Ray of Jacques Tourneur's gorgeous Western CANYON PASSAGE has Dana Andrews riding into town in the rain at the film's opening.

Dana Andrews stands firm all though CANYON RIVER, and here's the first shot from the Kino Lorber Blu Ray that just came out on Tuesday, and is worth the time and purchase.

Finally, Dana Andrews's greatest Western, CANYON PASSAGE, directed by his future CURSE OF THE DEMON and THE FEARMAKERS collaborator Jacques Tourneur, fresh from horror b-pictures for Val Lewton, is on Blu Ray... for a while only available on DVD with another Western, or a Spanish Blu Ray import that was good, but this will be better: although not the cover, which, as proven below, are always superior when foreign.

"What kind of animals are those?" is what Dana Andrews shouts at a trio of hot-rodders in HOT RODS TO HELL after car moll Mimsy Farmer throws a full can of beer at Dana's son, leaving his daughter Laurie Mock stunned by her new desert-dwelling contemporaries.

A scene and scenario straight out of GIANT in THE CROWDED SKY has Dana Andrews as a lifelong airline pilot forcing his frowning toddler son to get used to flying on a carnival plane ride, like when Rock Hudson throws his wailing, tortured only son on a horse.

Dana Andrews and John Kerr at the tail-end of THE CROWDED SKY: Dana saved the plane from crashing, but it was his fault the bird almost went down in the first place, and he's getting guilted into submission by Kerr's bitter and dickish co-pilot.

A miscast John Kerr, supposedly having flown "over a million miles" with Dana Andrews yet is hardly past his twenties, with character-actor Joe Mantell, channeling Henny Youngman and  Jimmy Durante, as the doomed throttle jockey in THE CROWDED SKY.

Dana Andrews faces proverbial-spouting Ed Prentiss in THE CROWDED SKY: Dana's a pilot who the brass wants as more brass; but pilots will be pilots, especially Dana, who's played plenty.  

Interestingly, Dana Andrews's bitter and reluctant, pay-for-hire sea captain character brings up the ship Exodus, which would be a novel... adapted to a movie by his multi-director Otto Preminger a decade after George Sherman's SWORD IN THE DESERT with Jeff Chandler, Stephen McNally, and the lovely Marta Toren, who would later play Dana's love interest in ASSIGNMENT: PARIS.

"I must say, for a charming, intelligent girl, you certainly surrounded yourself with a remarkable collection of dopes." Dana Andrews to Gene Tierney in Otto Preminger's LAURA.

Dana Andrews reluctantly answered the call when asked "does anybody know how to fly a plane?" by stewardess Peggy King in the original/straight version of AIRPLANE titled ZERO HOUR.

As the title finally shapes up into the third act of DUEL IN THE JUNGLE, Dana Andrews, as breezy yet intrepid insurance investigator Scott Walters, shows his hand with a gun, and target. 

Almost a decade before Marlon Brando yelled "Stella!", Dana Andrews as con artist Eric Stanton says it quieter, but equally as intense, hearing of Linda Darnell as Stella's death while newly married to rich girl Alice Faye, who quit movies entirely because Darnell, even dead, stole the scenes away from the first-billed singer/starlet in her first, and last, dramatic role, Otto Preminger's FALLEN ANGEL.

Here's an image, from Dana Andrews and director Otto Preminger's LAURA followup, FALLEN ANGEL, that epitomizes Film Noir: where Dana's Eric Stanton sulks near the cheap motel's neon sign, and though his new wife Alice Faye lies in the bed nearby, he's all alone.

Dana Andrews angrily stands up to the swamp-surrounded small town bullies in Jean Renoir's first American-directed feature, SWAMP WATER, with Eugene Pallette as a crooked sheriff backing Dana's CANYON PASSAGE enemy Ward Bond.

Fifteen-years may not sound like a long time now, but from 1950 to 1965 many things changed, including the overall culture, and the Film Noir medium, in which Dana Andrews acted under Otto Preminger from LAURA to WHERE THE SIDEWALK ENDS, were in the past; ironically, so were patriotic war films like IN HARM'S WAY as Dana played Admiral Broderick, a detested leader Wayne replaces during and after the Japanese sneak attack on Pearl Harbor.

Strangely enough, this gorgeous, high-cheek-boned starlet was a model... on the radio! And Doris Fesette provides a non-speaking, uncredited cameo as a "Club Patron" Dana Andrews buys a drink for, just to get her to stop flirting, in MADISON AVENUE.

Great colors in this shot from DUEL IN THE JUNGLE, a romantic adventure starring Dana Andrews as an insurance investigator from New York in London, with Jeanne Crain, and with his clothes and expressions, and those wall shadows, this shot has a touch of Noir. 

Added some sepia to Dana Andrews looking at himself as a con artist named Eric Stanton, who enters a seacoast Northern California small town on a bus, with a dollar in his pocket, and might just leave with a rich wife in Otto Preminger's LAURA followup, with even more creative camera shots and a neater Noirish title, FALLEN ANGEL.

Dana Andrews's return with director Otto Preminger after fifteen years brought him into the Pearl Harbor drama IN HARM'S WAY that included Kirk Douglas, Burgess Meredith, Brandon DeWilde and Patrick O'Neal. Like happens with former leading men, Dana would often play bad guys, but his Admiral Broderick is more an unqualified leader whom the characters talk about more than talk to.