The last posted, linked here, shows the shot that really happens when Dana Andrews pulls out the (is pulling out the) ruins to match those on Stonehenge, a closeup, while here's the most famous image from the movie, a medium/wide shot that's not in either CURSE OF THE DEMON or NIGHT OF THE DEMON.
The third of four movies starring Dana Andrews and Jeanne Crain is the only where Crain plays the sort of "other woman" on the sidelines wherein Dana's MADISON AVENUE mover/shaker is building-up the career of Eleanor Parker. The scenes between Andrews and Crain, though, are the longest and last throughout the entire story.

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