Not a movie more aesthetically prickly and scratchy and woody and reedy than SWAMP WATER directed by Jean Renoir, his first American film, and with Dana Andrews fourth billed, he's the true lead as Tom Regan, who finds a friendly, falsely-accused renegade while searching for his dog, Trouble, who lives up to his name.
The third of four movies starring Dana Andrews and Jeanne Crain is the only where Crain plays the sort of "other woman" on the sidelines wherein Dana's MADISON AVENUE mover/shaker is building-up the career of Eleanor Parker. The scenes between Andrews and Crain, though, are the longest and last throughout the entire story.

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