There's a bookend of beating in Jacques Tourneur's desk-set Film Noir THE FEARMAKERS as Dana Andrews begins as a prisoner-of-war from Korea, and then back in Washington D.C. where he owned a business dealing with public-relations opinion-research, now headed crookedly by villain Dick Foran and his huge henchman, Kelly Thordsen, who beat Dana's Alan Eaton some more. But he doesn't lose; not ultimately. Full review at Cult Film Freak.
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