THE LOST MISSILE (1958)

In 1958, the same year as THE FEARMAKERS was another Cold War Thriller, albeit of the Disaster kind, and both featured the beautiful Marilee Earle: The first she's the leading lady opposite Dana Andrews, and in THE LOST MISSILE she's the pregnant wife of a secondary lead, extremely underused but still looking fantastic.

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TAKE A HARD RIDE (1975)

The seventies' Western TAKE A HARD RIDE seemed to have several sub-genres at play, and yet, despite a small yet important role, Dana Andrews is the best representation since it's not a Blaxploitation despite stars Jim Brown (as Dana's friend), Fred Williamson and Jim Kelly, nor a Spaghetti Western with Lee Van Cleef on their trial, but more a modernized version of the kind of classic rough-and-tumble cowboy picture that Dana himself was a veteran of, from CANYON PASSAGE to THREE HOURS TO KILL, and before and beyond, including his last starring roles, TOWN TAMER and JOHNNY RENO.

STATE FAIR (1945)

At the STATE FAIR, two girls pass Dana Andrews and Jeanne Crain, and one, played by Jo-Carroll Dennison, had recognized the handsome reporter, "How you doing, honey?" she says, and he, while eating a candy apple with Crain, replies, " Quiet , you."

MADISON AVENUE (1961)

The third of four movies starring Dana Andrews and Jeanne Crain is the only where Crain plays the sort of "other woman" on the sidelines wherein Dana's MADISON AVENUE mover/shaker is building-up the career of Eleanor Parker. The scenes between Andrews and Crain, though, are the longest and last throughout the entire story.

FEARMAKERS CINEMA OF DANA ANDREWS

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